Brazil will feature the number 24 on the pitch during World Cup 2026. And that carries a message · Global Voices

Illustration with a man turned back wearing Brazil's yellow jersey with the number 24 in a stadium

Art created by Global Voices on Canva Pro

This post is part of Global Voices’ June 2026 Spotlight series, “Gender Diversity.” This series offers insight into gender diversity and how it is being threatened, protected, and preserved around the world. You can support this coverage by donating here.

Brazil’s national football team will officially field a player wearing a jersey with the number 24 during the 2026 FIFA World Cup. The first time the iconic yellow-and-green jersey stepped out of the closet with the number 24 was almost four years ago, during the championship played in Qatar.

Until 2022, FIFA rules allowed teams to register up to 23 players for official tournaments. But even when an extra player was allowed, or outside of strict official tournaments, the number 24 has long been avoided in Brazil.

The reason lies in the cultural context around a traditional, illegal gambling game created in Rio de Janeiro in the late 19th century — the “jogo do bicho” (animal game). A type of lottery game, which has been outlawed since 1946, and whose leaders have been linked to criminal organizations, still has a strong hold throughout the country. The winners are chosen randomly through a raffle, with gamblers betting on numbers linked to animals. The number 24 corresponds to “veado” (deer), which in Brazil is also a sort of slang term to refer to gay people.

There are different theories as to why “veado” got this meaning among Brazilians. A story published by news outlet UOL says the origins could be from the time when the word “desviado” (diverted) was used to refer to queer people, or even from the Disney animated film “Bambi” in the 1940s. Once a derogatory term, it has been reclaimed by the LGBTQ+ community over the years.

In the 2021 Copa America, this folkloric context became a public controversy. Brazil was the only one of the 10 South American teams playing without the number 24, despite having a total of 24 players. A group of activists called Arco-Íris, which means “rainbow” in Portuguese, sued the Brazilian Football Confederation (CBF) over the absence of the number, asking that the number be worn in the finals, arguing that it violated FIFA’s anti-discrimination rules. At the time, they declared:

O fato da numeração da seleção brasileira pular o número 24, considerando a conotação histórico-cultural que envolta esse número de associação aos gays, deve ser entendido como uma clara ofensa à comunidade LGBTI+ e como uma atitude homofóbica.

The fact that the list of numbers in the Brazilian National Team skips number 24, considering the historical-cultural connotation around this number and its association with gay people, must be understood as a clear offense to the LGBTI+ community and as a homophobic act.

CBF replied that it could no longer change the numbers already assigned to each player at that Cup because of the South American Football Confederation’s (Conmebol’s) rules, and the lawsuit was archived. An analysis by the newspaper Folha de S. Paulo, comparing Brazil with 11 countries, found that the number 24 was four times more likely to be used abroad than in the Brazilian football leagues.

Over a year later, at the Qatar 2022 World Cup — the first where FIFA allowed 26 athletes on the roster — the country had a player listed with the number 24 for the first time in an official competition: defender Gleison Bremer, who plays for Italy’s Juventus. Asked about the number, he answered: “It’s a shirt like any other. The important thing is to be at the World Cup.”

The 24th player

This time, the shirt will be worn by Roger Ibañez, a 27-year-old defender who plays for Al-Ahli in Saudi Arabia:

I can’t even remember the last player to wear Brazil’s 24 shirt before Ibañez. The font didn’t really help, it looks like he’s the Z4.

As a “gaúcho,” someone born in Rio Grande do Sul, the southernmost state of Brazil, Ibañez is a fan of Grêmio FBPA, a club founded in 1903 in the capital Porto Alegre. The same club that became a pioneer in the 1970s, having an organized LGBTQ+ fan group, the Coligay. The name was a blend of the name of a nightclub, Coliseu, owned by a Grêmio fan, where the group would meet, and the sexual orientation of the fans. The idea came to Volmar Santos, the nightclub owner and a die-hard “gremista” who always watched the games at the Olímpico stadium, when other fans seemed demotivated by the team’s years-long bad streak. This was in 1977, when Brazil was under military dictatorship rule (1964–1985), which also targeted LGBTQ+ people.

Once the Coligay pack arrived at the pitch, the bleachers turned into a proper party, with music, costumes in the club’s three colors, and continuous chanting. At first, as Santos told on several occasions, remembering his Coligay days, they had to face slurs and even physical attacks — at one point, he hired security and had the members in training karate for self-defense — but once the club began to win games and titles, they were integrated as an important part of the fanbase. Santos died last January.

Nowadays, Brazil has LGBTQ+ collectives within fangroups in many clubs, but it has never seen a phenomenon like the Coligay again. Grêmio and its traditional rival, Sport Club Internacional, are among the clubs without an organized queer collective.

In 2020, a national collective formed by LGBTQ+ fangroups from several Brazilian clubs, the Coletivo de Torcidas Canarinhos LGBTQ+, launched the Observatory of LGBTphobia in Football, to monitor cases of discrimination.

Their latest report analyzes how many teams wore the number 24 shirt in the Copinha São Paulo 2025, an under-18 competition. Out of 128 participants, only 32 teams had it. According to the Observatory, the number represented a reduction of six teams compared to the previous year. Onã Rudá, a journalist and Canarinhos founder, says that the study of Copinha was made to show that this prejudice is instilled into kids from an early age:

Por que pular o número 24? Esse é o ponto. Pula-se por causa da cultura homofóbica. A ausência dele denuncia um tipo de homofobia que está estruturada nas instituições, na cultura, na semiótica, na estética do futebol. Quando o clube passa a ter alguém que usa esse número, não significa que seja menos homofóbico, mas a ausência dele é um problema porque ela é a negação de uma identidade.

Why skip the number 24? That’s the point. They skip it because of a homophobic culture. The absence of this number demonstrates a sort of homophobia that is structured within institutions, culture, semiotics, and football’s own aesthetic. When a club has someone wearing the 24, it doesn’t mean that it’s suddenly less homophobic, but the absence of it is an issue because it’s the denial of an identity.

Rudá says football is one of the main social activities in the country and part of its national identity — a unique feature for people from North to South, despite regional cultural differences in a territory with continental proportions, as he told GV:

O futebol tem responsabilidade social. É engraçado ouvir quem diz que futebol e política não se misturam, pessoas que assistiram a regimes como a ditadura militar, utilizarem o futebol para se promover. Então, o futebol tem uma relação com as mais variadas atividades sociais do povo brasileiro e tem um papel a cumprir: ele pode ser uma válvula provocadora de grandes mudanças — como contra LGBTfobia, questões de violência de gênero, entre outros.

Football has a social responsibility. It’s funny to hear people saying football and politics can’t be mixed, people who watched regimes like the military dictatorship using football to promote themselves. So, football has a link to various social activities of the Brazilian people and a role to fulfill: it can be a valve to lead to great changes — such as against LGBTphobia, gender violence, and so on.




More Recommendations

Reimagining Caribbean indenture in an artistically botanical afterlife · Global Voices - Image of the title wall of the art exhibition ‘The Botanical Afterlife of Indenture: Imaginative Archives,’ which took place at […]
Why were Russian disinformation, government propaganda and AI-generated campaigning ineffective in Hungarian elections 2026? · Global Voices - The Fidesz party’s election campaign employed narratives suggesting, among other propaganda, that the EU and Hungary give too much to […]
Feelings of statelessness: Watching the Cantonese opera ‘The Flower Princess’ in the UK · Global Voices - Photo taken by Benson Wong, used with permission. This post is also part of Global Voices’ July 2026 Spotlight series, […]
Meta removes Bangladeshi community archivists’ pages through false copyright claims · Global Voices - Photo by Bastian Riccardi from Pexels. Used under a Pexels License. For the past several months, a coordinated digital campaign […]
When dry season never ends · Global Voices - An aerial photo of Guanacaste, Costa Rica. Image from Photo by Jean Paul Montanaro via Pexels. Free to use. Water […]
From wreckage to resilience: Bolstering Barbados’ fishing industry against hurricane impacts · Global Voices - Fishing vessels at the Bridgetown Fish Market, February 2025. Photo by Linton Arneaud, used with permission. By Destini Cummings, Jared […]
Why the pani puri platter remains India’s favourite snack · Global Voices - A plate of pani puri garnished with coriander leaves and chutney. Image via Wikimedia Commons by Shruthi612, CC BY-SA-4.0 India […]
Invisible strategies: How fear of being outed shapes LGBTQ+ life online in Serbia · Global Voices - Pins displaying LGBTQ+ symbols and flags. Photo by Marek Studzinski on Unsplash: License. This article was produced by the NGO […]
Haris Pardede: Trailblazing football reporting in Indonesia · Global Voices - Bung Harpa has covered a football match at Baku Olympics Stadium, Azerbaijan. Photo used with permission Haris Kristanto Pardede is […]
Archiving Nepal’s medicinal plants and Indigenous knowledge for future generations · Global Voices - Sanjib Chaudhary, while speaking his language, Eastern (Saptariya) Tharu. Photo by Subhashish Panigrahi in CC BY-SA 4.0. This post is […]
Trash and dignity: The rise of inclusive recycling projects in Latin America · Global Voices - Eloisa Cartonera books, made by unhoused workers. While the project was born in Argentina, it has expanded to other Latin […]
How Africa is harnessing space technology for early warning systems against climate disasters · Global Voices - From Left, Head of the EU Delegation to Namibia, Ambassador Ana Beatriz Martins; African Union Commissioner for Agriculture, Rural Development, […]
From DMs to data: How an anonymous platform is turning students’ stories into fuel for change in North Macedonia · Global Voices - Cyril and Methodius University in Skopje, North Macedonia. Image via Wikimedia Commons. CC BY-SA 4.0. This article was produced by […]
In Japan, Ryūkyūan Indigenous claim hindered by U.S. military bases in Okinawa · Global Voices - A number of Ryukyuans performed their traditional songs at the People’s Forum NYC on April 26, 2026. Screenshot from the […]
Cocoa farmers in southeast Cameroon are adapting to EU regulations, but they still want a fair price · Global Voices - Cocoa farm in Ekombitie. Photo by Leocadia Bongen, used with permission. Forty cooperative cocoa farmers gathered at the chief’s home, […]
AI cameras are surveilling the roads in Dhaka, Bangladesh · Global Voices - Two security cameras mounted on a pole. Representative image by user Atypeek Dgn via Pexels. Used under a Pexels License. […]
When surveillance becomes part of the landscape · Global Voices - Illustration by Gilda Martini. Fair use This article by Catalina Balla, communications director at Derechos Digitales, is published on Global […]
The last masters of Afro-Colombian machete fencing fight to save their tradition · Global Voices - Maestro Porfirio spars with a student, practicing defensive techniques. Photo by Rowan Glass, used with permission. This story by Rowan […]
Who deserves to know I am HIV positive? · Global Voices - A medical report shows an undetectable viral load. Illustration by Minority Africa, used with permission. This story was written by […]
Nepali Poet Viplob Pratik on literature, language, and a life shaped by words · Global Voices - Poet Voplob Pratik. Photo: Prabhat R Jha. Used with permission. Viplob Pratik is a leading contemporary Nepali poet, novelist, lyricist, […]
Beyond displacement: Examining the link between climate change and statelessness · Global Voices - The aftermath of Typhoon Sendong in the Philippines. Photo via Wikimedia Commons (CC BY 2.0). By Olivia Karp  This essay was written […]
Caribbean athletes shine at the 2025 World Athletics Championships · Global Voices - Feature image via Canva Pro. Much of the world has its attention focused on the 2025 World Athletics Championships, which […]
Why gender diversity matters in technology · Global Voices - The intersection of transgender rights and technology. Image courtesy of Global Voices. This editorial was written by Sheena Magenya and […]
The illusion of online public opinion in Lebanon’s political conflicts · Global Voices - The Qasmiya Bridge on the Litani River, which connects southern Lebanon to the rest of the country, was destroyed by […]
Australia’s summer weather extremes bring wide-ranging natural emergencies · Global Voices - Far North Queensland highway bridge collapse. Screenshot from 9 News Australia video: “Prime Minister heads to flood emergency zones”. February […]
Pakistan’s Indigenous Torwali people are fighting to save the Swat River · Global Voices - Image by the author. Used with permission. This post is part of Global Voices’ May 2026 Spotlight series, “Global crisis, […]
A lack of electricity and internet access hinders AI adoption in Sub-Saharan Africa · Global Voices - Screenshot of the video, “Why there are so many power outages in Africa”, from the Afrique en 365 jours YouTube […]
Pitching power: Unpacking the T20 Cricket World Cup crisis between Bangladesh and India · Global Voices - Supporters at the India vs Bangladesh CWC15 quarter final at the MCG, Australia. Image via Flickr by Tourism Victoria. CC […]
Morocco, AFCON, and the controversies that trailed Africa’s biggest football event · Global Voices - Morocco vs Niger match in the 2026 FIFA World Cup Qualifiers at the Moulay Abdellah Stadium in Rabat. Image by […]
Harassment and security threats forced the cancellation of a Pride-themed community event in Malaysia · Global Voices - Promotional poster for the cancelled “Glamping with Pride” event. Photo from ARTICLE 19 website. Fair use. A two-day wellness program […]
Scroll to Top